A century after their first use, these weapons still have the power to terrify, in part because civilian populations are so vulnerable. "We have now verified the destruction of about 80 percent of all the chemical weapons stockpiles that have been declared to us," says Michael Luhan, spokesman for the Organization for the Prohibition of Chemical Weapons, which oversees enforcement of the treaty.īut that success has not removed chemical weapons from the list of global threats. The end of the Soviet Union paved the way for a historic step: the 1993 treaty that banned the production, stockpiling and use of these weapons. and the Soviet Union produced massive quantities of chemical and biological weapons. Adolf Hitler, himself a victim of gas in World War I, never used his stockpiles on the battlefield.īut during the Cold War, the U.S. In World War II, their use was extremely limited. By 1925, the League of Nations had approved the Geneva Protocol, which banned the use of chemical weapons. Reaction to those deaths and injuries was swift. "That meant, for example, in America, there were tens of thousands of people who were scarred by exposure to mustard agent in World War I." " meant painful lung diseases, a lot of people blind for the rest of their lives," he says. Troops Train For Possible Mission To Secure Syrian Chemical Agents But as Greg Thielmann of the Arms Control Association notes, it left a frightening legacy in the form of a million survivors. Better to take your chances in the open rather than stay in the hollows and low places where the vapors settle."ĭespite the horrific injuries, gas caused only a small percentage of the war deaths. Paul Baumer, the protagonist of Erich Maria Remarque's All Quiet on the Western Front, recalls some of the horrors associated with gas in World War I: "We remember the awful sights in the hospital, the gas patients who, suffocating, cough up their burnt lungs in clots. Poisoned gas was described as "the most feared, the most obscene weapon of all." (two) Advantages and disadvantages of poison gas in WWI 'Weapons for Attack - World War 1 - Class 6.' Weapons for Attack - World War 1 - Class 6. a wave of asphyxiating gas released from cylinders embedded in the ground by German specialist troops smothered the Allied line on the northern end of the Ypres salient, causing panic and a struggle to survive a new form of weapon. In World War I, trench warfare led to stalemates - and to new weapons meant to break through the lines. Citations German soldiers wearing gas masks in 1916. Military History First Usage of Poison Gas Collections Spotlight On Apat 5 p.m. The answer can be traced back to the early uses of poison gas nearly a century ago. But why this focus on chemical weapons when conventional weapons have killed tens of thousands in Syria? President Obama has said that the use of chemical weapons could change the U.S. Following the first poison gas attack by German forces at Ypres in 1915, gas masks became vital equipment for Allied forces during World War I. Soldiers with the British Machine Gun Corps wear gas masks in 1916 during World War I's first Battle of the Somme.
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Normally, when I create a new project, I would let FCP select the project frame rate based upon the frame rate of the first source clip edited into the Timeline.īut, in this case, I want the source clips to play back in slow motion. (I tend to use this setting for all my web materials.) If we select the clip in the Browser and open the Inspector ( Cmd+4) and click the Info tab, we see that this clip was shot 720p at 59.94 fps progressive. Our team recorded some video of him working (thanks, Michael!) to use as part of our BVE coverage for our YouTube channel. (Which, I might add is a WHOLE lot messier than video editing!) One of the more interesting booths at BVE 2014 in London this year was CVP (Here, they had an artist creating large-scale paintings and we got to watch the creative process. That’s nice, but not what I want.Ĭonverting normal playback speed to slow motion is easy, but not intuitive. It does this by smoothly dropping unneeded frames. The problem is: how do you get Final Cut Pro X to play high-frame-rate video in slow motion? Because, by default, FCP plays all clips, regardless of frame rate, at the speed that makes motion look normal.įor example, if I shot 60 fps material, but played it in at 24 fps Timeline, FCP would adjust the speed of the source clip so that the video would play as though it was shot originally at 24 fps. Even that small 25% speed slow-down yields amazing results. NOTE: I’ve been told that NFL Films shoots all their game coverage at 32 fps, for playback at 24 fps. (Or, shoot 50 fps for playback at 25 fps to achieve 50% speed.) For example, shooting 60 fps video for playback in a 30 fps Timeline yields 50% slow motion with a higher image and movement quality than can be achieved using software alone. However, we don’t need to shoot at extremely high frame rates to slow something down. The Phantom camera is legendary for shooting thousands of frames per second for truly dazzling slow motion. This is why you read about cameras shooting 120 fps, or 500 fps. This provides the best possible image quality, though it does require your camera to shoot at frame rates faster than normal playback. (Animators call this “tweening.”) This creates much smoother slow motion but generally damages the visual quality of the image because so much data is invented, not shot.Ī much better way to create slow motion is to shoot the original activity with a camera recording at a high-frame rate. Then, FCP creates as many in-between frames as necessary by moving the pixels incrementally from their starting position to their ending position. For example, a video clip playing at 10% speed stretches the duration of each video frame to 1/3 of a second (for a 30 fps Timeline)!Īs speeds get really slow, FCP “invents” visual data by looking at all the pixels in source video frame 1 and comparing them to all the pixels in source video frame 2. 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Necessary cookies are absolutely essential for the website to function properly. And while Philly’s cooks and chefs have since branched out somewhat - finding new places once the workday is over - David’s remains a kind of Apollonian ideal of late-night Cantonese-American food. There was a time when, if you wanted to hang with Philly’s rising culinary superstars after their shifts, all you had to do was hit David’s Mai Lai Wah in Chinatown. during the week, but in actuality, you can show up here much later any day of the week. La Prima’s Google hours say the restaurant is only open until 1 a.m. While we consider Pat’s the sort of late night spot that’s only okay during the (sober) mid-day hours, we’d happily eat La Prima’s tacos al pastor during any hour (they come three-per-order, for roughly $9). Taqueria La Prima (formerly Prima Pizza Taqueria) is a mainstay for tacos once the clock says it’s closer to sunrise than it is sunset. Once you’re done, head to the cocktail bar upstairs. If it feels like a miracle, it’s because it is. You might not believe it, but Abyssinia will literally seat you (with table service) for some of the best Ethiopian food in the city at 11:30 p.m. Chase it with a glass of natural wine - Fountain Porter has a huge selection of orange, red, and white wines by the glass. There are reasons for this, not least of which is their perfect, salty-seared $6 burger. It’s rare to meet someone who doesn’t like Fountain Porter in East Passyunk. Here are our favorite places around the city to go after 11 p.m., from taco spots to Chinatown classics and bars serving Ethiopian cheesesteaks. In a city that takes drinking and eating as seriously as Philly does, late-night dining - especially drunken late-night dining - is like an Olympic sport, or at least a very challenging video game level. But if you’re out after most kitchens have closed and you want to eat something fried, hot, or possibly cheesy, there are still some essential spots that remain. As a result of the pandemic, many of our go-to spots have shuttered or reduced their hours. Late-night eating options have taken a serious hit over the last two years. They’ll open up at 8am on Friday mornings, and carry on serving right through until midnight on Sundays.Middle Child Clubhouse stays open until midnight on Fridays and Saturdays (and they serve a $10 burger with chips from 10 p.m. And from March 31, they’re also back to being open for 24 hours a day throughout the weekend. After 36 years, not much has changed as they keep doling out food and drink well into the wee hours of the morning. The OG Balans spot, originally called The Old Compton Café, Balans No.34 (nicknamed the little one) launched the brand with a mission to serve hungry and thirsty Londoners at all hours of the day. Balans No.34, Soho (open 24 hours on the weekend) Credit: Balans □ Find your nearest location at the website. The best part? They also offer 24 hour breakfast for when the late night craving for a full English fry-up hits. Meanwhile their Bloomsbury venue closes at 11pm on Mondays and Tuesdays before opening from 9am on Wednesday util 5am on Monday. Two of them, the Chelsea and Aldgate venues, are open around the clock. The VQ group is an extremely reliable option for late night grub, with a number of venues dotted around the capital. VQ Restaurants, multiple locations (Open 24/7… mostly) Credit: VQ Restaurants □ Nearest station is Liverpool Street 3. They’ve got food, coffee, and cocktails all through the day, and all through the week. While it doesn’t look like much from outside, inside you’ll find a veritable Aladdin’s cave of 24/7 delights. Polo Bar, Bishopsgate (Open 24/7) Credit: Polo BarĮast London’s infamous Polo Bar has been open since 1953, acting as the perfect pitstop for breakfast, lunch, dinner and everything in-between. □ 40th floor of the Heron Tower, 110 Bishopsgate, EC2N 4AY. Trust us, their late night menu will certainly sort you out. Duck & Waffle is ideally located for anyone partying it up at fabric once the consensus comes that it’s time for a post-lash, food feast pick-me-up. Up on the 40th floor of the Heron Tower is a 24-hour restaurant like no other. Duck & Waffle, Bishopsgate (Open 24/7) Credit: Duck & Waffleĭuck & Waffle recently announced that they would finally be resuming their legendary 24/7 service, with a plethora of menus to choose from throughout the day. These places all stay open until at least 3 in the morning. We want the proper late night food venues for the nights that never end. But first – the rules: This isn’t some simple, easily placated list of places that stay open until midnight. Each department builds and maintains its schedule. Switchboard staff can make last-minute changes to keep schedules up-to-date!Īmion for Enterprises manages on-call schedules for entire organizations and hospitals. It makes scheduling fun! 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This module provides an opportunity to communicate, manage and provide self-scheduling on the go through a web browser or on the ANSOS app. Confidential, Proprietary and Trade Secrets Notice: Use of this software and related. csv files which get converted into javascript in build/schedules/. web / ( wb) / noun any structure, construction, fabric, etc, formed by or as if by weaving or interweavingRelated adjective: retiary a mesh of fine tough scleroprotein threads built by a spider. By your use of these resources, you agree to abide by Responsible Use of Information Resources (SPG 601.07), in addition to all relevant state and federal laws. © 2022 HealthStream and/or one of its subsidiaries. schedules - Contains the raw schedule. The Realtree Edge camo on the riser of the test bow really popped. Elite bows might take fit and finish to another level, though. And frankly, since we test mostly (though not exclusively) flagship bows, the fit and finish is almost always excellent. Generally this segment of the report ends with some references to fit and finish, and sometimes general appearance. Every bow maker claims ergonomic grips, but this grip - at least for my hands - is as comfortable as any I’ve encountered. Finally, the grip is a narrow, slick sideplate-style grip. Letoff is typically set at 90 percent from the factory, adjustable down to 75 percent, though this adjustment will affect draw length slightly. These cams feature limb stops which come to rest against a tongue on the underside of the top and bottom split limbs to achieve Elite’s famously rigid back wall. Fine-tuning is achieved with Elite’s Linear Tunable Roller on the cable guard system, which essentially enables shooters to adjust for fletching clearance as well as move the cables in or out slightly to tweak for right or left tears. The cams are Elite’s Two Track Cam System, a modular system that is not yoked. A threaded opening on the back of the riser opposite and well below the stabilizer allows for adding stabilizers or weights to perfect balance. The risers feature two sets of sight mounting holes to accommodate different sights or individual shooting forms, as well as openings to accommodate various accessories. Less inclined to cant, more forgiving, and some would insist steadier at full draw, they tend to be a little quieter and more dead in the hand (again, all else being equal).Įlite’s double-cage riser is by now familiar to most bowhunters and the risers on all the Ritual series bows are similar, with only slight differences in the cutouts - attributable mostly to the differences in length. Want to extend your range? You’ll find it easier with a longer bow. There is a reason, after all, target shooters prefer them. But though you might hear it less often, there is something to be said for longer bows, as well. They’re maneuverable in a treestand, easier to draw in a ground blind, and nimble on a spot-and-stalk that might require running, crawling, or shooting from awkward positions. There is a lot to be said for compact bows. Whether it is defying the trend toward more compact bows, or even reflecting a turnaround in hunter preferences, only time will tell. At approximately 35-inches axle-to-axle, the Ritual 35 is relatively long for a compound hunting bow by current standards. It began with the 2018 introduction of the Ritual 33, soon followed by the Ritual 30, now rounded out with the Ritual 35. As a compliment to its durability, Pro Kote’s matte finish is bowhunter friendly absorbs light and is non-reflective, so there’s no need to worry about reflective components spooking game.With the recent introduction of the Ritual 35, Elite’s Ritual series is a trio. For 2015, every ELITE bow’s cams, modules, cable rod and limb pockets will be treated with Pro K ote™ protective finishes in a true match to our time-honored Patriot Brown or Sniper Gray components. In turn, this ultra-premium, non-reflective, matte coating provides significant benefits over industry standard metal treatments such as traditional powder coat and aluminum anodize and is designed to maintain tight tolerances, resist scratching and eliminate chips. Unlike other metal fin- ishing options, Pro Kote™ performance finish is corrosion resistant, stands up to long -term abuse, resists UV damage and will not fade or chalk even after extended use, extreme weather conditions, or prolonged UV exposure. LITE Archery’s exclusive, new Pro Kote™ protective finish is a special blend of proprietary composites, pigments, agents, and modifiers that yield a high-density, ultra- durable, extremely chip-resistant coating with anti-friction properties. But review anyway (I might do another one along the same lines or something. I will NOT continue this and this time I MEAN it! Seriously! SERIOUSLY SERIOUSLY SERIOUSLY I will not continue it. And this is just a random, sweet, twisted fanfic. I just wanted to write something involving a horribly perverted Genis (‘Cause I’m weird like that). This is just meaningless and twisted, and if you don’t like this, please don’t judge my fanfics as they aren’t really anything like this. *sigh* though I don’t claim credit for having found it! ANYWAY, yes. I don’t think soĪuthor’s Note: This fic was completely inspired by a piece of fanart which I found on a site and it really got to me ^.^ If you want, leave your e-mail in the review and I suppose I can send it to you. And so he convinces Lloyd to do what they used to do. At the beach in Altamira, Genis misses the way him and Lloyd used to play, before their adventure began. Summary: A quick one-shot I had to write. So let me say right now: I -am- the original author of this story, back finally after a year and a half of absence. Well, I'm not anymore, so it's back (hopefully for good). For the inn that was placed on the crossroads leading between Iselia and Triet, many still called it a House of Salvation whenever they passed by the structure.Bonus Disclaimer: For those of you that haven't seen this fic in a while, it was taken down because I was underage at the time. It wasn’t such a surprise as to why they still did- for ever since it was claimed by the new owners, not much was done to change the original architecture. It still maintained its two stories, shaped like a pillar, with a great open area inside on the first floor. Where once the symbols of Martel would be decorated along the walls with banners and silk, where the humble statue of Spiritua would be placed on the small prayer dais in the front, with mats on the floor to cushion a worshipper’s knees, it was now just a general dining area for visitors, with an innkeeper’s counter placed to the side. The prayer alcove had been converted to a delicacy stand, selling the innkeeper’s homemade treats they had baked for the day. Upstairs were still the rooms for the weary to rest, once mainly meant for those on a pilgrimage. But many didn’t really go on pilgrimages anymore – none but the very devout few, who still believed in the Goddess that now watched over a newly remade world. Mara didn’t really think much about that really. Seeing the time as the sun lowered in the sky, she stepped out of the barely renovated inn, a broom in hand, and proceeded to sweep up the dirt on their front steps. But the broom was a little too tall for her, and she struggled to keep it elevated just right as she went about her task. Then again, business had been slow these days, and it wasn’t like there were patrons around to keep up appearances for… She also hadn’t done the laundry recently, so her dress was a mixture of dust and polka-dots, and her boots were scuffed from the mud from a few days back when she had to handle a few maintenance tasks in the rain. Her brother hadn’t been back for many hours. He had left this morning for the nearest town, and already it was practically sunset, the horizon letting her know with its orange glow. |